China love takes us on a billion-dollar ride of fantasy exploring contemporary
china through the window of the pre-wedding photography industry.
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If you’ve ever travelled to the world’s most famous locations and seen Chinese bridal couples posing for over-the-top photo shoots, there’s no need to congratulate them yet for their Big Day. Why? Because often the actual wedding could still be another six months away!
Chinese wedding photo guru Allen Shi says Aussie couples should get pictures before their big day.
FORGET the traditional wedding day pictures, we should be copying the Chinese and organising the photographic shoot six months or a year ahead of the ceremony.
That’s the advice of the “godfather” of China’s $80 billion wedding photography business
Her documentary China Love, set in and around Shanghai, explores how “the future is living together with the past” in modern China through a look at China’s burgeoning wedding industry. This industry – now worth over 80 billion dollars – is deeply emblematic of the cultural change, and it’s through this lens that Martin-McGuire uncovers some of the challenges facing modern Chinese society.
China Love is her first feature length documentary and the film is currently in competition at the Sydney Film Festival. The director is supported by a crew of considerable female power, including editor Bernadette Murray and producers Rebecca Barry and Madeleine Hetherton, founders of Media Stockade and directors of award winning documentaries in their own right.
SYDNEY, June 13 (Xinhua) -- A new documentary showcasing Chinas profound love of wedding photography will premiere at the Sydney Film Festival on Wednesday evening, with audiences buzzing about the behind-the-scenes look into the multi-billion dollar industry.
I was working as a photojournalist and I arrived early for a job for The Australian Financial Review (AFR). I was actually shooting the director of Red Obsession in Shanghai at The Roosevelt Hotel on the Bund. I was taken aback by handfuls of bridal couples being photographed against the sandstone walls, and then picking up their dresses to reveal white sneakers and running to another wall to set up another photo.